SOLO EXHIBITIONS
2
013
“A History of Dreams Remains to be Written…” The Grundy Art Gallery, Blackpool England
“The Days of the Commune” Slough Foundation, Philadelphia
2012
“A History of Dreams Remains to be Written…” The Talbot Rice Gallery, Edinburgh, Scotland
“DREAMLAND: The Coney Island Amateur Psychoanalytic Society and its Circle 1926-1972” Espai Cultural Caja Madrid, Barcelona
“DREAMLAND: The Coney Island Amateur Psychoanalytic Society and its Circle 1926-1972” Espacio para el Arte Caja Madrid, Aranjuez Spain
“The Infernal Dream of Mutt and Jeff”, M HKA Museum, Antwerp
“Adventures of a Dreamer”, Freud’s Dream Museum, St. Petersburg Russia
2011
“The Infernal Dream of Mutt and Jeff” Site Gallery, Sheffield
“Freud’s Droomland” Het Dolhuys: national museum van de psychiatrie, Haarlem The Netherlands
“The Somnambulists” The Velaslavasay Panorama, Los Angeles
2010
“DREAMLAND: The Coney Island Amateur Psychoanalytic Society and its Circle 1926-1972” Kiosk, Gent Belgium
“Adventures of a Dreamer” Viktor Wynd Fine Art, London
2009
“DREAMLAND: The Coney Island Amateur Psychoanalytic Society and its Circle 1926-1972”, Coney Island Museum, Brooklyn, NY
2008
“The Somnambulists” Bellwether Gallery, New York, NY
“The Somnambulists” Arcite Gallery, Windsor Ontario
2005
“The Ideoplastic Materializations of Eva C” Bellwether, New York
“The Ideoplastic Materializations of Eva C” Siena Heights University Art Gallery, Michigan.
“The Ideoplastic Materializations of Eva C” Gallery TPW, Toronto
2003
“The Influencing Machine of Miss Natalija A.” Pittsburgh Filmmakers, Pittsburgh
SELECTED GROUP SHOWS
2012
“More Real: Art in the Age of Truthiness” Site Santa Fe, New Mexico, travelling to the Minneapolis Institute of Art.
2011
Inconscinet! Les Artistes et la Psychanalyse. Galerie Alfa, Paris
“Beloff/Maddin/AMVK – Learning to Dream” Nationaal Onderwijsmuseum,
Rotterdam
2009
“Magic Show” a touring exhibition organized by the Hayward Gallery London, venues: Quad, Derby, Grundy Art Gallery, Blackpool, Tullie House Museum and Art Gallery, Carlisle, Chapter, Cardiff, Pump House Gallery, London
Shift Festival der Elektronischen Künste, Basel, Switzerland
“Heaven” 2009 Athens Biennale, Greece
“Hysteria: Past yet Present” Paul Robson Gallery, Rutgers University New Jersey
2007
“Now You See It” Center for Curatorial Studies, Bard College, New York State
Artefact Festival, Stuk Art Center, Leuven, Belgium
"The Air Loom and other dangerous influencing machines” The Prinzhorn Collection, Heidelberg, Germany
“Wolfgang von Kempelen.Mensch-[in der]-Maschine” Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany
2006
“The Golden Hour” Gigantic Art Space (GAS), New York City
2005
Blur of the Otherworldly: Contemporary Art, Technology and the Paranormal, Center for Art and Visual Culture, University of Maryland at Baltimore County, Baltimore, MD
“Trifecta” Bellwether Gallery New York
2004
“The Disembodied Spirit” Bowdoin College Museum of Art traveling to Kemper Museum of Contemporary Art, Kansas, Austin Museum of Art Texas
2003
Future Cinema, Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany
2002
Nam June Paik Award 02, NRW-Forum Kultur und Wirtschaft, Düsseldorf, Germany
“Some Assembly Required: Collage in Post-War America” Everson Museum of Art Syracuse traveling to Madison Art Center Wisconsin and the Polk Museum of Art, Lakeland, Florida
Le Fresnoy Studio National des arts contemporains, Tourcoring, France
The Whitney Museum of American Art Biennial, New York
2001
Center for Contemporary Photography, Melbourne, Australia
“International Distinguished Artist Symposium & Exhibition”, Joseloff Gallery at Hartford University, Hartford, Connecticut
“World Without End” Art Gallery of NSW, Sydney, Australia
2000
“Alien Intelligence”, Kiasma Museum of Contemporary Art, Helsinki, Finland
“Lo Spazio Sospeso - usi e riusi di aree industriali dismesse” Turino Italy
“Les Mondes Inventés” Musée des Beaux-Arts de Nantes
Microwave festival 2000, Hong Kong
1999
Videoformes 99 Clermont-Ferrand, France
Digital Code/Cultural Patterns, University of Texas at Dallas
“Zonas de Contacto el arte en CD-ROM”, Mexico City
Tramvideo, Lyon France
Videoformes 99 Clermont-Ferrand, France
Word Wide Video Festival, Amsterdam
European Media Arts Festival, Osnabruck
Impakt Festival, Utrecht
1998
“Biennale de l’Image,” Ecole de Beaux Arts, Paris, France
“Les Mondes Inventes, Musee des Beaux-Arts de Nantes, Nantes, France
Galerie VOX, Montreal
Cyber 98, Lisbon Portugal
Panaemonium Festival: London Electronic Arts
1997
“Selected Memories”, Palais des Beaux Arts, Brussels, Belgium
“Staging Surrealism” Wexner Center for the Arts, Columbus, OH
The Whitney Museum of American Art Biennial, New York
SELECTED SCREENINGS
2012
Museum der Unerhörten Dinge, Berlin
Venus and Apoll, Dusseldorf
Freud’s Museum of Dreams, St Petersburg, Russia
2011
S8 Mostra de Cinema Periférico, A Coruña, Spain
La Casa Encendida, Madrid
Festival Ambulante, Mexico City
21ème Festival International du Documentaire de Marseille
2010
Pacific Film Archives, Berkeley
Rotterdam Film Festival
Art Cinema Off Off, Gent, Belgium
Museum of Modern Art, New York
2009
Northwest Film Forum, Seattle
REDCAT Roy and Edna Disney/CalArts Theater, Los Angles
2007
North West Film Forum, Seattle
Festival Nouveau Cinéma, Montreal
Freud Dream Museum, St. Petersburg, Russia
CIANT International Center for Art and Technology, Prague, Czech Republic
2006
The Museum of Jurassic Technology, Los Angeles
Pacific Film Archives, Berkeley
MadCat Film Festival, San Francisco
Hallwalls Contemporary Art Center, Buffalo
The Images Festival of Independent Film & Video, Toronto
2005
Margaret Mead Film and Video Festival @ American Museum of Natural History, New York
2004
PICA – Portland Institute for Contemporary Arts TBA Festival
Pacific Film Archives, Berkeley
2003
The Images Festival of Independent Film & Video, Toronto
Anthology Film Archives, New York
2002
London International Film Festival
American Museum of Natural History
2001
American Museum of the Moving Image
Rotterdam International Film Festival
Society for Psychical Research, London
2000
San Francisco Cinematheque
1999
Melbourne Film Festival Australia
1998
Kaaitheater Brussels
Film Forum Los Angeles
Rotterdam Film Festival
1997
Viennale - Vienna International Film Festival
Museum of Modern Art New York
The Video Festival of Navarre, Spain
1996
Pacific Film Archives, Berkeley
1994
Film/performance( collaboration with John Cale) The Arts at St Ann's Brooklyn
1990
London Film Festival
New York Film Festival
Montreal World Film Festival
Seattle Film Festival
AFI Film Festival, Los Angles
Collective for Living Cinema, New York
Sundance Film Festival
Berlin Film Festival
GRANTS AND AWARDS
Fellowships: The Radcliffe Institute Harvard (2013), Guggenheim Foundation (2003), The Foundation for Contemporary Arts (1997) and NYFA (1997, 2001). Individual Artists grants from NYSCA (1997, 2001, 2004, 2009, 2010), CEC Arts Link (2012), PSC CUNY Research Foundation (2009, 2007, 2004), The Jerome Foundation (1992, 1998, 2000) and Experimental Television Center Finishing Funds Award (2009, 2007, 2004, 2002, 1997). Residences: Harvestworks Digital Media Arts New York, Hallwalls Buffalo, Tesla Berlin
SELECTED PUBLICATIONS BY ZOE BELOFF
“A Drive-In Dreamland” in WSQ: Women’s Studies Quarterly 40: 3 & 4 Fall/Winter 2012
“Le Reve Infernal de Mutt et Jeff” in Trafic, revue de cinéma issue 82, summer 2012
“Plastic Reconstruction of a Face (1918)” in Michael Sappol editor Hidden Treasures: The National Library of Medicine: Blast books 2012
Adventures of a Dreamer by Albert Grass, Christine Burgin 2010
“The Dreamer, or, the Adventures of a Luftmensch” in Cabinet issue 36, spring 2010
Zoe Beloff editor The Coney Island Amateur Psychoanalytic Society and their Circle Christine Burgin 2009 (included two essays by Zoe Beloff)
“Mettre en scène I’inconscient” in Trafic, revue de cinéma issue 69, spring 2009
Zoe Beloff editor The Somnambulists: a compendium of sources Christine Burgin 2008
“Mental Images: the dramatization of psychological disturbance” in Karen Beckman and Jean Ma editors Still Moving: between Cinema and Photography Durham: Duke University Press 2008
“Towards a Spectral Cinema” in Eric Kluitenberg, editor Book of Imaginary Media: excavating the dream of the ultimate communication medium, Rotterdam Nai Publishers, 2006
“The Influencing Machine of Miss Natalija A.” in Thomas Röske and Bettina Brand-Clausen, editors, The Air Loom and other dangerous influencing machines, Sammlung Prinzhorn 2006
“Natalija A. and Eva C.” in Louis Armand, editor, Mind Factory, Prague: Litteraria Pragensia, 2005
“Deux femmes visionaries” in Trafic, revue de cinéma issue 44, winter 2002,
“An Ersatz of Life” in Martin Rieser and Andrea Zapp, editors, New Screen Media: Cinema/Art/Narrative London: BFI London in collaboration with ZKM Karlsruhe, 2002
“La vie rêvée de la technologie,” in Trafic, revue de cinéma issue 30, summer 1999 pp 84-91
INTERVIEWS WITH ZOE BELOFF
Thom Donovan “Five Questions for Contemporary Practice with Zoe Beloff” PBS Art:21 Blog July 2, 2012
Jessica Lee and Kathryn Sonnabend “French Lessons” Triple Canopy, May 16 2012
Jussi Parikka, "With each project I find myself reimagining what cinema might be": An Interview with Zoe Beloff. Electronic Book Review October 24, 2011
Isabelle De Baets “Coney Island Gedroomd”, (H)art: On contemporary art in Belgium and its surroundings No. 73 November, 2010
“Dreamland: The Intimate Politics of Desire Zoe Beloff in conversation with Niels Van Tomme” Art Papers July/August 2010
Alex Callender “Hallucinations and Hysteria: An Interview with Zoe Beloff” NY Art Beat September 24, 2008
Heather Hendershot “Of Ghosts and Machines: An Interview with Zoe Beloff” Cinema Journal vol. 45:3 Spring 2006
Karen Beckman “Impossible Spaces and Philosophical Toys: An Interview with Zoe Beloff” Grey Room vol. 22 winter 2006
Chris Gehman “Zoe Beloff’s Mechanical Medium ” in Cinemascope, issue 6, Winter 2001
Willem van Weelden Catalog of the15th World Wide Video Festival,Stedelijk Museum. September 1997
SELECTED BIBLIOGRAPHY
Raymond Bellour La Querelle des Dispositifs 2012 pp 66-68, 96, 97
Iris Dankemeyer Dreamteam: Die Kunstlerin Zoe Beloff traumt von der Coney Island Amateur Psychoanalytic Society Konkret August 2012 p 50-51
Jussi Parikka What is Media Archeology, Polity Press 2012 pp 12, 28, 52-5, 61, 62, 107, 137, 139, 141, 144, 157
Paul Mason “Does Occupy signal the death of Contemporary Art?” BBC Newsnight 30 April 2012
Ulrich Meurer “ Traume, Tiere, Translationen: Die Filme der Coney Island Amateur Psychoanalytic Society” in Ulrich Meurer (Hg.) and Maria Oikonomou editors Ubersetzung and Film: Das Kino als Translationsmedium, Verlag Bielefeld 2012 pp 175-202
Anna van Leeuwen Zoe Beloff Focus: Voer voor Freud, Kunstbeeld, February 2012 p 82
Rebecca Rothbaum “A Slow-Motion Drama About the Occupiers of 1871”, Wall Street Journal March 30, 2012
Anna van Leeuwen Freud’s Droomland, Kunstbeeld, September 2011
Caroline Chik L’Image Paradoxale: fixité et mouvement Presses Universitaires Septentrion 2011
Ed Halter “Top Ten”, Art Forum, October 2010 p 113
Morgan Falconer “Zoe Beloff: Coney Island Museum” Art in America, December 2009
p 135
John Strausbaugh “The Case of Sigmund F. and Coney I.” New York Times, July 26, 2009, page AR21
Annie Buckley “Mad World” Artforum.com April 26, 2009
T.J. Carlin "Zoe Beloff, The Somnambulists", Art Review, December 2008
Darren Tofts “Keep Your Virtual Hands Off Me!Paranoia, Affect and Influencing Machines” rhizomes17 winter 2008
Colby Chamberlain “Zoe Beloff, Bellwether” Critics Picks Artforum.com September 2008
John Harvey Photography and Spirit London: Reaktion Books 2007 pp 49, 155
Oliver Grau “Remember the Phantasmagoria! Illusion Politics of the Eighteenth Century and its Multimedial Afterlife” in Oliver Grau, editor, Media Art Histories Cambridge, Massachusetts: The MIT Press 2007 pp 137-141
Joe Milutis Ether: the nothing that connects everything Minneapolis: University of Minnesota Press, 2006 pp105-107
Nancy Princenthal “Willing Spirits: the Art of the Paranormal” Art in America, February 2006
Jeffrey Skoller Shadows Specters Shards: Making History in Avant-Garde Film Minneapolis: University of Minnesota Press, 2005 2005 pp 188-192
Emily Hall “Zoe Beloff, Bellwether”, Art Forum, May 2005
Karen Beckman “Ectoplasmic Cinema: The Ideoplastic Materializations of Eva C.” This essay accompanies the exhibition Zoe Beloff: The Ideoplastic Materializations of Eva C. Toronto: Gallery TPW, April 05
Timothy Druckery “Zoe Beloff”, Catalog for Nam June Paik Award 2002, Hatje Cantz Ostfiden-Ruit Germany, 2002
Leslie Mcleave “Film Medium: Zoe Beloff’s Uncanny Resurrections “, Res Magazine Vol.5 No.3
David Kilpatrick “Catching up with Gertrude: Stein’s Faustus and the Wooster Group”, Contemporary Drama in English Vol. 7 2000
Pascal Beausse. “After-Images”, Art Press, May 1998 pp 43- 47
Mike Leggett. “Beyond the Millenniums”,World Art, issue 18, 1998 p 76
Steve Shaviro. “Future Past: Zoe Beloff's Beyond”, ARTBYTE, Vol.1, No.3, 1998 pp 17-18
Steven Tomasula, “An Image and Narrative Round Up” Electronic Book Review, September 1998
Steven Ball. “Up the Snakes and Down the Ladders”, Mesh, issue 12, 1998
EDUCATION
BA/MA 1980 Edinburgh University/ College of Art – joint degree in Painting and Art History.
MFA 1983 Columbia University. Film Production.
1985-86 Whitney Museum Independent Study Program.
|
